Exorcist Iii

TWO–DISC SPECIAL EDITION CONTENTS

• Two presentations of The Exorcist III: the theatrical cut and the ‘Legion’ director’s cut
• Original 2.0 stereo audio and optional 5.1 DTS-HD Master Audio
• Optional English subtitles for the deaf and hard of hearing
• Reversible sleeve featuring original and newly commissioned artwork by Richard Wells

DISC ONE – THE THEATRICAL CUT

• 2K restoration of the theatrical cut of The Exorcist III, presented in High Definition
• Audio commentary by critics Alexandra Heller Nicholas and Josh Nelson
• Audio interview with writer/director William Peter Blatty
• Death, Be Not Proud: The Making of The Exorcist III, an in-depth 2016 documentary divided into five chapters: Chapter One: A “Wonderfull” Time, an interview with producer Carter DeHaven and members of the supporting cast and production crew; Chapter Two: Signs of the Gemini, an interview with actor Brad Dourif; Chapter Three: The Devil in the Details, an interview with production designer Leslie Dilley and more; Chapter Four: Music for a Padded Cell, an interview with composer Barry De Vorzon; Chapter Five: All this Bleeding, interviews about the additional shoot and special effects
• The Exorcist III: Vintage Interviews, archival interviews with cast and crew members including William Peter Blatty, producer James Robinson, actors George C. Scott, Jason Miller, Grand L. Bush and Ed Flanders
• Falling Down a Long Flight of Steps, an interview with special effects artist Randy Moore
• The Exorcist III: Vintage Featurette, making-of documentary with onset footage and interviews
• Deleted scenes, alternate takes and bloopers
• Image galleries
• Trailers, TV spots and radio spots

DISC TWO – THE ‘LEGION’ DIRECTOR’S CUT

• High Definition Blu-rayTM (1080p) presentation of the Legion director’s cut, assembled from the best available film and video elements
• Legion audio commentary with esteemed film critics Mark Kermode and Kim Newman
• Deleted Prologue, an alternate opening to Legion with optional audio commentary from Mark Kermode and Kim Newman