EAN: 0880242546197
Concert Magic, which premiered in San Francisco in 1947, was the first motion picture concert in film history (Concert Magic Item No. 2054158). In addition, many short films were made to fill the space between the traditional double features. They were also often used as encores when enthusiastic audiences demanded them. Among these encores is an especially valuable rarity, the violin concerto of Felix Mendelssohn. The length (ca. 25 minutes) prevented it from inclusion in the film. This footage shows Menuhin s very first recorded performance of Mendelssohn`s violin concerto and other encores. Even music specialists are unaware of the existence of this previously unreleased material! Bonus: A Violinist in Hollywood + On the Encores Yehudi Menuhin in conversation with Humphrey Burton. Exactly 50 years after the creation of the film in 1997, Yehudi Menuhin and Humphrey Burton, director of a number of Bernstein concerts and an expert on and biographer of Menuhin, view the film in front of cameras. Menuhin comments on his playing technique, speaks about the origin of the film and reminisces about events which transpired at the time of the film. His reactions and comments about the pieces are very personal.
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Concert Magic, which premiered in San Francisco in 1947, was the first motion picture concert in film history (Concert Magic Item No.
2054158).
In addition, many short films were made to fill the space between the traditional double features.
They were also often used as encores when enthusiastic audiences demanded them.
Among these encores is an especially valuable rarity, the violin concerto of Felix Mendelssohn.
The length (ca.
25 minutes) prevented it from inclusion in the film.
This footage shows Menuhin s very first recorded performance of Mendelssohn`s violin concerto and other encores.
Even music specialists are unaware of the existence of this previously unreleased material! Bonus: A Violinist in Hollywood + On the Encores Yehudi Menuhin in conversation with Humphrey Burton.
Exactly 50 years after the creation of the film in 1997, Yehudi Menuhin and Humphrey Burton, director of a number of Bernstein concerts and an expert on and biographer of Menuhin, view the film in front of cameras.
Menuhin comments on his playing technique, speaks about the origin of the film and reminisces about events which transpired at the time of the film.
His reactions and comments about the pieces are very personal.
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